However, Peter was being informed that the club in which they were performing was bomb threatened, which forced to move to another venue. After the song's outro, the band immediately started playing Pain. Speaking of the third verse, the band had "technical" issues which led the crowd to start booing again and Peter told them to hold on until the sound gets fixed. This short interlude serves as Gravity's opening, in which the song itself hasn't changed much than its original counterpart beside the beautiful keyboard layers in the second and third verses, a more gloomy bridge with extra vocals, and the chorus not sounding as good as the original. And as the song ends, Peter recalls that twat he sang about "and thanks for the memories, you fat bitch!" in such an intense attitude, and does a bass solo as he tells the crowd "and eat shit, you fat bastards!”.Īre You Afraid? is implied to be the band's first sign in the gothic metal direction, which can be based upon Josh's keyboards input. There's also an interlude where Peter taunts the crowd again by singing I'm in the Mood for Love by Dorothy Fields from the 30s, as the band went silent for the crowd to start booing again. But what made this version three minutes longer than the original is a sample used from Glass Walls of Limbo (Dance Mix), as the crowd boos the shit out of the band while Peter taunts the crowd back followed by the main intro of Prelude to Agony, which at this point became the intro for the song in hand. I Know You're Fucking Someone Else is literally the same song as the original, only clearly it's titled by the main part and features more guitar layers as I mentioned above. And for the first time, you actually hear Hey Pete (Peter's Ego Trip Version). With the new and only track/interlude, Are You Afraid?, it stands as an interlude to Gravity formerly known as Gravitational Constant (without the calculated part). The formerly known Xero Tolerance that is titled Kill You Tonight was split into two tracks. When we look at the concept as a live album and how the setlist is presented so to speak, not only in the original release it's the band shortest full-length, but Der Untermensch's main part is INSTRUMENTALLY presented in Pain formerly titled as Prelude to Agony, which has been significantly shortened to just 4 minutes, by only performing the song's main part (which is originally titled Jackhammerape). There's a major flaw with what the band did with their songs, in terms of how we look at the album's re-recorded songs. And when I say this album is more enjoyable than the debut, listening to both albums back to back, the latter is good on its own right. Here you can hear he's screaming more and adding more range to his vocals, which eventually ended up being his main sound. Both Kenny & Josh offer extra layers in their respective instruments for songs like I Know You're Fucking Someone Else and Gravity, while Peter added (or changed) some extra lyrics and he doesn't sound as low as he had in the debut album. That's not implying that Slow, Deep and Hard sounded bad - I mean the overwhelming distorted audio is what sold the band's moniker in the first place, but The Origin of the Feces (Not Live at Brighton Beach) is simply a fun, re-recorded album. When I say this album sounds great, I mean the mix is fantastic, the instruments sound amazing, and for being rather unoriginal, it's still a very enjoyable album. Later changed to a more awesome-looking artwork inspired by Albrecht Dürer which includes a gothic version of Paranoid by Black Sabbath (by the way, the cover wasn't recorded "live" but was recorded and released in the 1994 version of the album, which includes the new artwork and retitled the album just The Origin of the Feces), the album's concept for being a "live" album, it "sounds" great! For a re-recorded album (unofficially), it sounds great! Not sure what's the story behind this album's release and why no new material was presented (other than the interlude, Are You Afraid? which is the only original track and the aforementioned gothic version of Paranoid ), I think it sold well enough to earn the band some recognition - or the record label really had made a dumb request. In a sense, the guys are just trying to make a living after all. It mostly consists of boos and negativity. In spite of having Peter's anus as the choice for the album's cover which only broadens the humor that you could see from Slow, Deep and Hard's album, not to mention this album is branded as "live" (although Peter did suggest in some interviews that this album is rather an EP than a full-length), part of the humor is the "live" audience.
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